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It does, however, include a plentiful collection of tempo-sync’ed live loops, all performed by Mickey Hart and which really add a nice performance edge to the output you can achieve with SD3.
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#Soundsonline eastwest quantum leap software
The memory footprint of each instrument isn’t too vast, though, assuming you’re not too greedy with the number of mic positions! Interestingly, SD3 doesn’t include the ‘sound-design’ patches as found in SD2, instead preferring to concentrate on a more acoustic sound. Get the guaranteed best price on Software Synths & Samplers Software like the EastWest QUANTUM LEAP GOLIATH at Musician's Friend. Of course, you can always raise the level of the room mics or add some additional convolution reverb if you’re really looking for that ‘back of the concert hall’ sound.Īs you’d expect from EastWest/Quantum Leap, each instrument is sampled with a wealth of round-robins, velocity levels and different articulations, which alongside the five different mic positions explains how the library adds up to 86GB. While other libraries favour an almost concert hall-like acoustic, SD3’s tight sound makes it both a rhythmically precise and sonically flexible audio tool. As with previous version of Stormdrum, the quality of the recordings is consistently high, with plenty of transient detail and just enough room ambience (which, of course, can be fully controlled via the mixer) to give the instruments space to breathe. Even more significantly, the introduction of signal processing licensed from SSL as well as an improved reverb based on EastWest’s Spaces, means you get a wealth of mixing potential all directly from PLAY.įire Breather Given the wealth of what’s included in SD3, it’s hard to pick favourites, although we did find ourselves drawn to the gargantuan impact of the Dragon Ensemble Hits as well as the breadth of instruments included in the Taiko folder. The first notable improvement is in the introduction of a dedicated Mixer page, which as well as for balancing on multi-timbral patches can also be used to control the five microphone positions that SD3 is supplied with. With so many other sample developers using the Kontakt Player route, it’s important that the PLAY system continues to evolve and develop, and this latest version demonstrates some important changes. Produced by Nick Phoenix, Quantum Leap Solo Violin is a virtuoso solo violin recorded at Remote Control Productions, Hans Zimmer’s film score facility in Santa Monica.
#Soundsonline eastwest quantum leap series
Once you’ve installed the library, one immediate difference is the changes offered with the introduction of PLAY 4. EastWest has released the next in its series of virtual orchestral instruments with Quantum Leap Solo Violin. To this end, the fact that the Grateful Dead’s Mickey Hart and Remo Belli, founder of the Remo drum company, are both onboard suggests an intent to deliver something rather special. With orchestral percussion already covered in other libraries, it makes sense that SD3 marks out its own territory, arguably seeking to be an almost encyclopaedic source of ethnic percussion sounds. Stormy Weather One key quality that defines SD3 is the distinct focus on ethnic sounds – including taikos, tablas and waterphones – rather than traditional cinematic percussion sounds such as timpani, grand casa and snare drum.
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